Thought starters: growth of Substack, dominance of NY Times and China vs USA

A look at some of the stories that have caught my eye over the last couple of weeks. These include the impacts of the coronavirus, the growth of Substack email newsletter platform and competition between China and the USA.

It’s no secret that the coronavirus has seen ecommerce experience something of a purple patch in 2020. Benedict Evans does a good job of pulling figures together from the UK and the US. It will be interesting to see what happens when lockdowns ease and fears of infection subside:

Substack is the new kid on the block providing a new outlet for journalists and commentators to reach audiences and earn a crust. Clio Chang looks at the opportunities it provides but also suggests that it doesn’t necessarily upend barriers to new voices emerging:

Substack, established in 2017 by three tech-and-media guys—Chris Best, Hamish McKenzie, and Jairaj Sethi—is a newsletter platform that allows writers and other creative types to distribute their work at tiered subscription rates. Newsletters go back at least as far as the Middle Ages, but these days, with full-time jobs at stable media companies evaporating—between the 2008 recession and 2019, newsroom employment dropped by 23 percent—Substack offers an appealing alternative. And, for many, it’s a viable source of income. 

You can find more commentary and writings about Substack here. Among the writers who have joined Substack recently is ex Vox editor Matthew Yglesias who writes about the dominance of the New York Times in the US media ecosystem:

But fundamentally the digital media startup dream of obtaining massive scale and disrupting the incumbents hasn’t really worked. So we’re left with a giant that’s incapable of self-scrutiny, because that might lead to implosion, paired with a set of institutions that increasingly all reflect the same worldview and do so in very strange ways.

Language is often not as neutral as we would like it to be and the technology sector is certainly no exception. The NYT Open Team look at what theyre doing to create more inclusive language in the way they talk about technology:

Whether it’s terminology like “master” or “blacklist,” words with harmful connotations have been baked into tech communication for decades. Words like these bring with them the weight of slavery and discrimination, and signal that those who have held power in the tech industry have had the privilege to ignore the impact of these antiquated terms. People of color are still underrepresented in tech, and the industry’s continued use of these terms acts in direct opposition to an inclusive and equitable culture.

America’s handling of the coronavirus epidemic hasn’t exactly done wonders for the country’s international reputation. Despite this, Tyler Cowen still sees the country in a favourable position when compared to its key global competitor, China:

Overall, it would be a mistake to be pessimistic about China. Its on-the-ground campaign against Covid-19 was very effective, its leadership pays great heed to science, it just signed on to a large Asia-Pacific trade deal, and its economic growth has resumed. Chinese supply chains proved remarkably robust through the major global crisis of the pandemic.

Still and all, the fact remains: When it comes to the ideas and the people that matter, America and the West are not losing the lead.

US government imposed restrictions on the supply of technology to Huawei have exposed how vulnerable elements of China’s economy is to global supply chains. Pranay Kotasthane and Rohan Seth take a look at the challenges the Chinese government faces in developing a semiconductor sector that would free it from the dependence on US technology:

Does this silicon rush mean that China will become self-sufficient in semiconductors soon? Not quite. China’s state-backed funds may well spur private investment, even producing a few champions, but such moves are unlikely to result in a self-sufficient Chinese semiconductor industry any time soon.

The Republican Party has traditionally been happier to cosy up with big business. Given this, it’s interesting to read research which suggests American CEOs are increasingly favouring the Democratic Party in a trend that pre dates the arrival of Donald Trump. I like to think we might see a growing counterbalance to the likes of the Koch Brothers and other associated libertarian and conservative voices:

We demonstrate that since the early 1990’s, it is becoming increasingly common for firms to be run by CEOs who are aligned with the Democratic Party, which we refer to as the blue trend. We find evidence that at least one factor driving this trend appears to be the rise of the role of women, who tend to have values that align with the Democratic Party. Further, we find that the blue trend is stronger in industries that are more considerable to women as a source of employees or customers (e.g., hospitality, computers, etc.).

The rise in Donald Trump, Brexit and various other contentious subjects has not always helped in the fostering of intelligent debate. Paul Graham’s hierarchy of disagreement provides a valuable way of filtering out those critics who are well off the mark:

I have found debates over Corbyn’s sacking and reinstatement both interesting and tricky given the need to differentiate between anti semitism and criticism of Israel’s policy towards Palestinian territories. I found this post definitely saw me take a more critical stand towards Corbyn and David Schneider’s write up helped in understanding where lines are that should probably not be crossed:

It’s obviously not my place to tell Palestinians how they should define their oppression, but for the rest of us, people need to be able to criticise Israel and Jews need to be reassured at a time of rising antisemitism.

With careful language, we can do both.

Sarah Zhang provides a thoughtful look at the introduction of widespread prenatal testing for Down Syndrome in Denmark. This has seen the condition become increasingly scarce among the country’s children:

Denmark is unusual for the universality of its screening program and the comprehensiveness of its data, but the pattern of high abortion rates after a Down syndrome diagnosis holds true across Western Europe and, to a somewhat lesser extent, in the United States. In wealthy countries, it seems to be at once the best and the worst time for Down syndrome. Better health care has more than doubled life expectancy. Better access to education means most children with Down syndrome will learn to read and write. Few people speak publicly about wanting to “eliminate” Down syndrome. Yet individual choices are adding up to something very close to that.

Any media consumption now has to compete with our ever present smartphones for attention. Kyle Chayka points to Emily in Paris as an example of the growth of ambient TV thats designed to complement the distracted viewer rather than require close attention.

But all of that barely matters. The purpose of “Emily in Paris” is to provide sympathetic background for staring at your phone, refreshing your own feeds—on which you’ll find “Emily in Paris” memes, including a whole genre of TikTok remakes. It’s O.K. to look at your phone all the time, the show seems to say, because Emily does it, too. The episodic plots are too thin to ever be confusing; when you glance back up at the television, chances are that you’ll find tracking shots of the Seine or cobblestoned alleyways, lovely but meaningless. If you want more drama, you can open Twitter, to augment the experience. Or just leave the show on while cleaning the inevitable domestic messes of quarantine. Eventually, sensing that you’ve played two episodes straight without pausing or skipping, Netflix will ask if you’re still really watching. Shamed, I clicked the Yes button, and Emily continued being in Paris.

Header image: Mural by Thierry Noir by Zetland House in Shoreditch, London

Thought starters: gatekeepers, the spread of Covid-19 and the growth of ecommerce

Coronavirus lockdown and the American elections are dominating the headlines and these are some of the stories that have caught my attention recently.

There were rumours circulating on social media that there was a large story about to land that would seriously damage American presidential candidate Joe Biden’s campaign. Ben Smith reports on how the Donald Trump’s campaign tired and failed to seed the story with the Wall Street Journal and sees it as a strong argument for the continuing role of journalists as gatekeepers:

The media’s control over information, of course, is not as total as it used to be. The people who own printing presses and broadcast towers can’t actually stop you from reading leaked emails or unproven theories about Joe Biden’s knowledge of his son’s business. But what Mr. Benkler’s research showed was that the elite outlets’ ability to set the agenda endured in spite of social media.

England is heading into lockdown after some dangerous procrastination on the part of the government. El Pais’ data visualisations provide a handy review of the imporance of social distancing:

For more coronavirus related visualisations, check out the New York Times’ look at how face masks reduce the spread of the pandemic:

One of the more thoughtful commentators on how to slow the growth of the coronavirus pandemic was sociologist Zeynep Tufekci. As attention moves to the Amercian elections, her analysis on the limitations of election forecasting provides a useful antidote to some of the wilder predictions:

This is where weather and electoral forecasts start to differ. For weather, we have fundamentals — advanced science on how atmospheric dynamics work — and years of detailed, day-by-day, even hour-by-hour data from a vast number of observation stations. For elections, we simply do not have anything near that kind of knowledge or data. While we have some theories on what influences voters, we have no fine-grained understanding of why people vote the way they do, and what polling data we have is relatively sparse.

Benedict Evans looks at some of the implications of recent changes in the retail landscape catalysed by the coronavirus pandemic. These changes aren’t just limited to the retail sector with flow on effects in the shape of our urban landscape and in how brands develop relationships with consumers:

Physical retail itself has been a ‘boiling frog’ for 20 years. Every year ecommerce gets a little bigger and the problem gets a little worse, but the growth in any given year was never big enough for people to panic, and you could always tell yourself that sure, people would buy that other industry’s product online, but not yours. I think we all now understand that anyone will buy anything online, given the right experience, and if your retail model is based on being an end-point to a logistics chain then you have an existential problem. 

For more of Benedict Evans with co-host Toni Cowan-Brown, check out Another Podcast, looking at tech’s impact on society we live in.

I remember fondly trips to Amsterdam’s supermarkets some years ago where conveyor belts would swallow up used packaging, providing consumers with a credit and brands with their packaging for reuse. Trips to Britain’s supermarkets even now feel like a step back with their tendency to wrap everything in plastic and limited attempts to close the loop. It’s no surprise to find UK near the top of the podium when it comes to the use of plastics according to reports in The Guardian:

Music is one of those passions I’ve held close to me through the years. My music collection started as CDs, flirted with MiniDiscs and migrated with time to MP3/AAC/FLAC. The impending demise of Google Play has seen me scrabbling towards Double Twist’s CloudPlayer but I’ve always been fascinated by people’s obsession with vinyl. The format struck me as a retrograde step but there’s a lot to be said for a record’s role as a cherishable artifact in your hand. I enjoyed Adam Gonsalves’ descriptions of the ups and downs of vinyl for the listener:

The vinyl LP is a format based on technology that hasn’t evolved much over the last six decades: in some ways, it’s the audio equivalent of driving a Ford Pilot. Sonically, vinyl has both strengths and weaknesses compared to digital files, just as movie buffs have argued over the pros and cons of 35mm film against 4K digital.

Header image: Mural by Iker Muro in Stratford, London for London Mural Fest