The world feels like a rather different place from when I last posted here as coronavirus reshapes the world we are living in. I am now on furlough as my employer looks to look at ways to chart a new course in a world where social distancing has become the norm.
I have also watched with dismay as various governments have resorted to finger pointing and disinformation rather than collaborating on addressing this global problem.
Below are some of the coronavirus and non coronavirus related content that has shed some interesting light on the world we live in since I last posted.
Much was made by British PM Boris Johnson of the country’s science led approach to coronavirus . Jonathan Calvert, George Arbuthnott and Jonathan Leake’s report provides a rather different point of view suggesting that the government’s intransigence cost the nation precious time in addressing the crisis.
It has been interesting exploring the different approaches countries have taken to coronavirus pandemic given that decisions have been made under a situation of considerable uncertainty. One of the outliers has been Sweden and while it’s far from clear as to whether they’ve taken the right approach, it’s interesting to read an interview with the strategy’s author, Anders Tegnell:
It’s still too early to say whether Stockholm’s policy will turn out to be a success story or a blueprint for disaster. But, when the microbes settle, following the global crisis, Sweden may be able to constitute a kind of control group: Did other countries go too far in the restrictions they have been imposing on their populations? Was the economic catastrophe spawned globally by the crisis really unavoidable? Or will the Swedish case turn out to be an example of governmental complacency that cost human lives unnecessarily?
Scott Alexander takes a critical look at the failure of politicians and journalists to address threat posed by coronavirus in a situation of uncertainty:
People were presented with a new idea: a global pandemic might arise and change everything. They waited for proof. The proof didn’t arise, at least at first. I remember hearing people say things like “there’s no reason for panic, there are currently only ten cases in the US”. This should sound like “there’s no reason to panic, the asteroid heading for Earth is still several weeks away”. The only way I can make sense of it is through a mindset where you are not allowed to entertain an idea until you have proof of it. Nobody had incontrovertible evidence that coronavirus was going to be a disaster, so until someone does, you default to the null hypothesis that it won’t be.
I am acutely aware of the health impacts of coronavirus after hearing about the death of close friends’ father and colleague. But as the days wear on, we are likely to see a growing economic and social cost, particularly in sectors where face to face contact is a core part of delivering goods or services. Torquil Campbell points out the impact that changes necessitated by coronavirus are going to have on musicians who have become increasingly dependent on live music for their income.
But then came the virus. No amount of hype, no amount of press adoration or zeitgeist-defining hipness could protect us from the chilling effects of it on our business. The customers we count on to come out and spend some money at night were told they should not do so—even that they must not. And we have no idea when or if they will ever be told that going out the way they used to is okay again.
It has been heartwarming to see how communities have responded to in supporting vulnerable members of the community in the UK with the setting up of mutual support groups. The government has provided additional funding to support third sector organisations working directly in coronavirus related areas. That being said, many third sector organisations will increasingly struggle to make ends meet as they cope with growing demands for social services, sickness based absences and declining fundraising revenues. This is on top of cuts that many providers have faced by government funding cuts over the last 10 years.
The Economist looks at how coronavirus is forcing many companies to innovate taking on changes that would be unlikely to be adopted under normal business conditions:
But the defining feature of the latest innovation revolution is breakneck speed. Companies are being forced to raise their corporate metabolism and overcome “analysis paralysis”, an affliction caused by top managers having pored over the same irrelevant case studies at business school. In a recent briefing consultants at Bain urged companies to throw out old data, test quickly and often, and assume you will be in testing mode for some time to come.
Benedict Evans’ weekly newsletter provides one of the more insightful sources for news in the technology sector . A recent newsletter included his presentation Standing on the shoulders of giants looks at likely changes including the increasing importance of regulation as tech becomes more like other business sectors.
John Luttig suggests that startups faced with declining growth rates across different tech categories are unlikely to see the furious growth rates of old. In this world, organisations are likely to place more attention on marketing and sales rather than research and development that previously dominated:
Like any mature industry, Silicon Valley must battle to maintain growth in the face of immense economic gravity. For the first time in Internet history, startup growth will require a push from the company and not a pull from the market. Unlike the organic pull that drove many of the dotcom-era successes, today’s Internet startups need to fight for growth by investing more heavily into sales, marketing, and operations.
Many years ago I studied Public Policy at a time when a lot of questions were being asked about the role of the state in New Zealand where I was studying at the time. My interest in the role of public provision continues with America’s health system often striking me as painfully wasteful with its high per capita costs and its delivery of poor overall health outcomes. Scott Alexander’s look at how the Amish operate within this framework makes for an interesting read and a valuable lens to examine the wider US health system:
The National Center For Health Statistics says that the average American spends $11,000 on health care. This suggests that the average American spends between five and ten times more on health care than the average Amish person.
Ezra Klein takes a broader view in his look at both the public and private sector indicting the former for its vetocracy and the latter for its short termism. The article is definitely based on the experiences of the US but many of the conclusions could just as easily be transferred to the UK and other societies:
Here’s my answer: The institutions through which Americans build have become biased against action rather than toward it. They’ve become, in political scientist Francis Fukuyama’s term, “vetocracies,” in which too many actors have veto rights over what gets built. That’s true in the federal government. It’s true in state and local governments. It’s even true in the private sector.
I can remember catching Jace Clayton (aka DJ Rupture) play in London in 2006 after avidly following his writings on the intersection between music, technology and non Western music. I finally got round to picking up his book Uproot: Travels in 21st-Century Music and Digital Culture which provides a welcome look at various traditionally out of sight corners. On a similar tip, I enjoyed Paula Erizanu and Livia Ștefan Martin’s look at manele music in Romania for the Calvert Journal, looking again at the intersection of music and culture:
For manele’s critics then, perhaps it’s time to focus their energies towards analysing and improving the cultural, economic, and political context that created the genre’s get-rich values they so disapprove of. In the meantime, it’s time to dance and let dance — while acknowledging and paying dues to the complicated history of both manele and lautareasca.
Header image: Bridget Riley from her 2019 show at the Hayward Gallery