Find some of the stories that have caught my eye over the last fews weeks below reflecting current events and wider trends and changes:
I’ve found reports of Vladimir Putin’s arrest of Alexei Navalny fascinating. On the one hand, he provides a selfless and invaluable check on a longstanding totalitarian regime. On the other hand he’s certainly not the liberal that many Westerners would like to see leading the Russia opposition (although criticisms are no doubt fuelled by Putin’s allies). Vox has created a valuable primer on why Navalny is such a thorn in Putin’s side:
What the actions of Putin’s critics has made clear is that Russia is a an environment that has few of the privacy protections that we have come to expect in Western society. This can prove something of a gold mine for journalists and opposition researchers as Ben Smith reports:
Probiv is only one of the factors that have made Russia, of all places, the most exciting place in the world for investigative journalism. There is a new wave of outlets, many using more conventional sourcing to pierce the veil of President Vladimir V. Putin’s power. And there is a growing online audience for their work in a country where the state controls, directly or indirectly, all of the major television networks.
I have been fascinated by the growth of blockchain technologies. At times it feels like it’s a solution searching for a problem. The growth of non-fungible tokens (NFTs) seems like an interesting use case, providing a new channel for creators to be rewarded for digital creations. That being said, it does raise some interesting questions as Marc Hogan reporting for Pitchfork:
The idea that a digital certificate of authenticity is valuable, but the infinitely replicable artwork itself is not, may raise interesting questions about what “art” and “authenticity” truly mean, but it’s a conversation for philistines, privileging financial worth above all else. There’s a reason that great art is often called “priceless.”
Growing computational power and a growing array of data has provided us with increasingly accurate weather and climate forecasts. Whilst there is definitely consensus on rising global temperatures, there’s far less consensus on exactly how this plays out. Moises Velasquez-Manoff and Jeremy White take the opportunity to look specifically at the impact of global warming on the Gulf Stream. Changes to this ocean current could see temperatues falling for those of us living around the North Atlantic. As an added bonus, the data visualisations accompanying the article are a feast for the eyes:
It’s one of the mightiest rivers you will never see, carrying some 30 times more water than all the world’s freshwater rivers combined. In the North Atlantic, one arm of the Gulf Stream breaks toward Iceland, transporting vast amounts of warmth far northward, by one estimate supplying Scandinavia with heat equivalent to 78,000 times its current energy use. Without this current — a heat pump on a planetary scale — scientists believe that great swathes of the world might look quite different.
Slate Star Codex provided a hub of sorts for the self described rationalist community that has a particularly strong following in Silicon Valley. The site’s creator recently got into a dispute with the New York Times over the latter’s plan to publish his full name in part of now published profile piece. Elizabeth Spier’s analysis of the dispute provides some valuable reflections on the community around Slate Star Codex and Silicon Valley:
I hope that someone does a longer more comprehensive story on the Rationalist community and the site—selfishly, because I love this sort of thing. But I’d also like to see people who self-identify as Rationalists be a little more self-aware about when they are letting their emotions trample their logic—when they’re tempted to argue that questions of justice are ancillary to question of progress, and when they, for example, get angry and project all manner of emotion onto reporters whose reporting they don’t like.
But mostly, I want them to be more rigorous: to acknowledge that ideas are meaningless in a vacuum that does not include real world material conditions, and that people pursuing innovation are not the only people who matter, or even the people who matter most. And another structural reality is that organizations—companies, say, startups—are terrible at policing themselves. What journalism seeks to do is illuminate the areas where destructive means are being utilized to achieve ends that might actually be virtuous or worthy in some other way. This is useful, in the public interest, and good for the tech industry in the long term. It mitigates things that are destructive to the industry, and destructive to society.
The departure of Donald Trump from the Oval Office means that TikTok will no longer be forced to sell off its US operation (at least for the foreseeable future). Eugene Wei provides a fascinating analysis of some of the key features and dynamics that make the platform such a powerful player in social media:
TikTok is a form of assisted evolution in which humans and machine learning algorithms accelerate memetic evolution. The FYP algorithm is TikTok’s version of selection pressure, but it’s aided by the feedback of test audiences for new TikToks.
Samanth Subramanian’s account of the takeover of the Wentworth Golf Club by wealthy Chinese billionaire Yan Bin is titled The rich vs the very, very rich. It makes for a fascinating tale of how even the Surrey’s well to do are not spared the excesses of global capital – although it is worth adding that this is impacting their ability to play a round of golf rather than feed their families:
In escalating the fees, he was looking for a new kind of member, which left the old kind of member out in the cold. Moss described it to me as a “culture clash. He made no attempt to understand the club. He thought he could do what he wanted, basically.” He had the right to think this, Moss said: it was his club.
A podcast that’s been getting a lot of love from me lately is Willa Paskin’s Decoder Ring. The show explores different cultural phenomenon with a recent favourite being a look at the rise of metrosexual and the Karen.
Cover photo is Palm Temple by Luke Jerram which was installed in Lewis Cubitt Square last year. You can find more photos here.