Coronavirus lockdown and the American elections are dominating the headlines and these are some of the stories that have caught my attention recently.
There were rumours circulating on social media that there was a large story about to land that would seriously damage American presidential candidate Joe Biden’s campaign. Ben Smith reports on how the Donald Trump’s campaign tired and failed to seed the story with the Wall Street Journal and sees it as a strong argument for the continuing role of journalists as gatekeepers:
The media’s control over information, of course, is not as total as it used to be. The people who own printing presses and broadcast towers can’t actually stop you from reading leaked emails or unproven theories about Joe Biden’s knowledge of his son’s business. But what Mr. Benkler’s research showed was that the elite outlets’ ability to set the agenda endured in spite of social media.
England is heading into lockdown after some dangerous procrastination on the part of the government. El Pais’ data visualisations provide a handy review of the imporance of social distancing:
For more coronavirus related visualisations, check out the New York Times’ look at how face masks reduce the spread of the pandemic:
One of the more thoughtful commentators on how to slow the growth of the coronavirus pandemic was sociologist Zeynep Tufekci. As attention moves to the Amercian elections, her analysis on the limitations of election forecasting provides a useful antidote to some of the wilder predictions:
This is where weather and electoral forecasts start to differ. For weather, we have fundamentals — advanced science on how atmospheric dynamics work — and years of detailed, day-by-day, even hour-by-hour data from a vast number of observation stations. For elections, we simply do not have anything near that kind of knowledge or data. While we have some theories on what influences voters, we have no fine-grained understanding of why people vote the way they do, and what polling data we have is relatively sparse.
Benedict Evans looks at some of the implications of recent changes in the retail landscape catalysed by the coronavirus pandemic. These changes aren’t just limited to the retail sector with flow on effects in the shape of our urban landscape and in how brands develop relationships with consumers:
Physical retail itself has been a ‘boiling frog’ for 20 years. Every year ecommerce gets a little bigger and the problem gets a little worse, but the growth in any given year was never big enough for people to panic, and you could always tell yourself that sure, people would buy that other industry’s product online, but not yours. I think we all now understand that anyone will buy anything online, given the right experience, and if your retail model is based on being an end-point to a logistics chain then you have an existential problem.
For more of Benedict Evans with co-host Toni Cowan-Brown, check out Another Podcast, looking at tech’s impact on society we live in.
I remember fondly trips to Amsterdam’s supermarkets some years ago where conveyor belts would swallow up used packaging, providing consumers with a credit and brands with their packaging for reuse. Trips to Britain’s supermarkets even now feel like a step back with their tendency to wrap everything in plastic and limited attempts to close the loop. It’s no surprise to find UK near the top of the podium when it comes to the use of plastics according to reports in The Guardian:
Music is one of those passions I’ve held close to me through the years. My music collection started as CDs, flirted with MiniDiscs and migrated with time to MP3/AAC/FLAC. The impending demise of Google Play has seen me scrabbling towards Double Twist’s CloudPlayer but I’ve always been fascinated by people’s obsession with vinyl. The format struck me as a retrograde step but there’s a lot to be said for a record’s role as a cherishable artifact in your hand. I enjoyed Adam Gonsalves’ descriptions of the ups and downs of vinyl for the listener:
The vinyl LP is a format based on technology that hasn’t evolved much over the last six decades: in some ways, it’s the audio equivalent of driving a Ford Pilot. Sonically, vinyl has both strengths and weaknesses compared to digital files, just as movie buffs have argued over the pros and cons of 35mm film against 4K digital.